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Students and Teaching Methodologies



Students and Teaching Methodologies

My students have included college students at Stanford and the University of Virginia, executives at American companies, national television and radio audiences, as well as professional theater audiences. Thanks to this variety of teaching venues, I have enjoyed the challenge of finding creative pedagogical approaches that make the study of Russia relevant and exciting to a very wide audience. Although my teaching experiences go beyond traditional academia, I believe they are quite applicable to the current interdisciplinary academic environment.

In my teaching of Russian language, I try to balance the traditional study of grammatical rules with contemporary teaching methods, which emphasize pragmatic, real-world communication at an early stage of study.
In my teaching of literature, I attempt to create a balance between the “cultural studies” approach to literature and the more traditional art of “close reading.” I use the close reading approach to help students not only with their analytical skills, but also to help them appreciate the unique poetics contained in a work of literary art. In other words, I encourage students to appreciate literature as literature.

In many of my literature courses, I include a “Making It Personal” component, in which students are encouraged to reflect on how the ideas discussed in the course might apply to contemporary life and to the specific concerns of their own lives. Most students find this approach refreshingly unique, and their excitement shows itself in their written work and spirited class discussions.

I also introduce students to some of the current sociological and other theoretical approaches in the humanities. By understanding Russian literature and other artistic forms within the context of political and socio-economic forces, students gain insight into the larger evolutionary processes of Russian cultural history. An example of a course I have taught with this approach is “Tycoons, Tyrants, and Tortured Souls in Russian Literature.”







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